Thursday, May 6, 2021
Sunday, May 2, 2021
These are the squares that will represent the "ground" in the landscape I'm working on. I have rearranged them, added some, subtracted others, and hand-colored a few. It's time to stitch them all together while I'm feeling grounded and before I start second-guessing myself (although I might just move one or two of them around again.) As a unit, I think they're looking earthy and unified. They'll tone down a little more after quilting. The photo doesn't quite do it justice, but sometimes my smart phone is just too smart for its own good and registers highlights that the human eye doesn't see.
Here's an early version and the final one side by side so you can see where I started and where I'm headed... do they look different to you? Some people might tune in to details that have changed, others might see the big picture and tell me I could have stopped rearranging them ages ago!
Sunday, April 25, 2021
The extra blues and browns arrived! Over the past several weeks, I've cut a bunch of squares for the sky and ground and have been spending hours arranging and rearranging them, squinting, and taking thumbnail shots in order to evaluate the overall value and color. It's still a work in progress, but I think they're pretty close! We have 22 different blues in the sky, and around 50 different browns and greens for the ground. Might still need to cut three or four more and replace a few of the lighter greens so that they blend better. (The mountains and tree will come back later.) This morning I'll start planning the final constellation and finish a full size pattern for the door.
Saturday, April 24, 2021
Very excited to be starting a new project. This one is a commission and needs to be washable, so it'll be mostly pieced, with a bit of applique for the mountains and the tree. My client provided the design, which turns out to be reminiscent of Magritte, one of my favorite artists! This sketch is still a bit of a work in progress, depending on how we decide to do the lighter sky. The dark sky in the sketch currently includes a photo of the Pleiades, but I'll be using fabric with stars for the final one.
Thursday, August 27, 2020
Described as ruby with a tint of orange, pigeon's blood is the official term for this color and is used to describe both glassware and gemstones. Based on a photo of a pitcher in my mother's kitchen window, this is part of my new series exploring the play of light through glass. I've always loved this pitcher, and I hope I've done it justice.
This 8 1/2" x 11" sample is a taste of my next big project. And by big, of course I don't mean large, just time consuming. There are around 55 fussed and stitched pieces here, and it's one section of a larger design based on a photo from back in 2014 when we went to Washington, DC for a family vacation. Of course we visited as many art museums as possible, but when I got home, the image that most stayed with me was this reflection...even back then I knew it was destined to become a quilt.
This is based on reflections in the fountain in the plaza of the Hirshhorn Museum, which features modern and contemporary art. The museum windows encircle the plaza and reflect into the pool in the center, creating a wonderful moving grid of white and blue. The project promises to be much more abstract than my usual work.
These prints are the beginning of a pattern for the larger piece. Can you figure out which section my little sample is based on?